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"Anywhere you like. I'm sure we deserve some compensation for the awful sermon that curate gave us this morning." "You, Ryan?" says Mona, with an attempt at unconcern, but her tone is absolutely frozen with fear. "Dear Lady Lilias, I think we have at last nearly taken in all the beauties of your charming room. I fear," with much suavity, "we must be going.".

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"I wasn't alluding to your hands; though I might," says Nolly, pathetically. "I was only going to tell you what Jack said to Violet. 'What darling little hands you have!' he whispered, with the very silliest expression on his face I ever saw in my life; 'the prettiest hands in the world. I wish they were mine.' 'Gracious powers!' said I to myself, 'I'm in for it;' and I was as near falling off the branch of the tree right into their arms as I could be. The shock was too great. I suppressed a groan with a manful determination to 'suffer and be strong,' and——" The newly come people went to the piskun for meat, and there one of the children saw an arrow lying on the ground. It was a beautiful arrow, the stone point long, slender, and sharp, the shaft round and straight. The boy remembered what had been said and he looked around fearfully, but everywhere the people were busy. No one was looking. He picked up the arrow and put it under his robe. Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it. She did not answer, and without saying anything more he led her up over the bluff and out on the prairie..